It’s always exhilarating to send a new edition out into the world, but creating our 10th edition has been a particularly special milestone. Who would have thought that a side project created during the pandemic would grow into what we are now? Reflecting on our history and the time that our team spent crafting the pages you're reading now, we recognize that time serves as a central motif in many of the features of Edition 10. From the revival of Luna Luna Art Fair to David Michalek's homage to 75 years of the New York City Ballet, to Charles Gaines’s decolonizing of historical sensibilities, these narratives rearticulate the past for a new generation. Meanwhile, artists like Rob Pruitt and Pat Steir contemplate the past, present, and futures of their careers, while Ebony Haynes and 52 Walker commemorate their 10th exhibition and the 9 that came before. What a time it has been! We are captivated by the diverse ways that time influences us all. As you read through these pages, we hope that you too discover inspiration
in how these artists and institutions deliver work and experiences that are as timeless as they are timely.
Front & Back Cover Artwork By: Pat Steir
Edition 10
FEATURED
FEATURED
AUTUMN
BREON
Part of Autumn Breon’s art is not merely to reflect the world but to reimagine it. She creates spaces where care is not a passive theme but an active force, shaping everything her work touches. The colors—vivid pinks, blues, and golds—are not just aesthetic choices, but symbols of deep-rooted histories and lived experiences, woven into a visual language of abundance and self-preservation. Breon’s art is a call to action, an invitation into a shared space of radical participation. Through each piece, we’re reminded that beauty is resistance, joy is power, and care is a necessary, non-negotiable form of rebellion.
TAHNEE
LONSDALE
Tahnee Lonsdale’s art inhabits a space where the familiar becomes otherworldly, with human-like figures crafted from basic shapes and vibrant colors. These abstract forms strip away detail and context, focusing on the raw essence of emotion. Her work, rooted in themes of motherhood, protection, and generational grief, mirrors her personal evolution as an artist and mother. As her life expanded, so did her figures—shifting from confined, intertwined bodies to powerful, ethereal beings that carry both strength and melancholy. Lonsdale’s celestial figures blend the earthly and the divine, embodying love, loss, and the unknown.
CURTIS
SANTIAGO
Curtis Talwst Santiago’s art invites an intimate encounter, both physically and emotionally. His dioramas, paintings, and sculptures span themes of history, family, and celebration, but their small scale demands that we engage closely, even hold them, challenging the way we typically interact with art. Santiago sees play and truth-seeking as central to his practice, whether he’s wrestling with the vastness of canvas or crafting intricate, micro-worlds. His work draws from a rich blend of Trinidadian heritage and personal memories, weaving together stories of joy, resistance, and transformation across cultures and generations.
LUNA
LUNA
In 1987, Luna Luna, the world’s first art amusement park, opened in Hamburg, showcasing works by artists like Keith Haring and Jean-Michel Basquiat, allowing visitors to interact with art in playful ways. However, financial challenges led to its closure after one season, leaving it nearly forgotten. Now reborn in Los Angeles as Forgotten Fantasy, an exhibition curated by Alessandra Gomez, it combines restored original pieces with new art and performances, inviting visitors to engage with art in a childlike, immersive manner, reviving Andre Heller’s vision of art as play
ROB
PRUITT
Rob Pruitt's work blurs the lines between autobiography and commentary, reflecting a vibrant exploration of pop culture and personal identity. From his childhood flipbooks created from discarded printing paper to his provocative installations like the "Cocaine Buffet," Pruitt’s art engages with themes of materiality, loneliness, and social critique. His collaborations with Jack Early and solo projects, including the Panda series and The Obama Paintings, reveal a commitment to both humor and introspection, inviting audiences to reflect on cultural dynamics. As he contemplates aging and artistic legacy, Pruitt emphasizes the cyclical nature of experience, aiming to inspire emotional connections while making art accessible and engaging for all.
SHANTELL
MARTIN
Shantell Martin’s art intertwines spontaneity and connection, inviting viewers into a world where lines transcend their basic forms to tell stories of identity and community. From her early days as a visual jockey in Japan to her impactful installations at renowned venues like Lincoln Center, Martin's work champions interaction and play. Her signature black-and-white style reflects her journey as a self-described hustler, using art to explore themes of technology, dance, and the human experience. As she prepares for her upcoming gallery show in Los Angeles, Martin aims to introduce her unique voice to a new audience, emphasizing the importance of collaboration and accessibility in art. Through her performances and educational initiatives, she seeks to inspire the next generation, encouraging them to embrace their creativity with patience and consistency.
KATHIA
ST. HILAIRE
Kathia St. Hilaire’s art intricately navigates the complexities of Blackness, beauty, and historical erasure within Latin America. Drawing from her childhood experiences as the daughter of Haitian immigrants, her fascination with beauty supply stores sparked a profound exploration of race and identity. By incorporating beauty products into textile creations and employing innovative relief printing techniques, St. Hilaire connects personal narrative with broader cultural critiques, revealing the enduring impacts of histories like the Haitian Revolution and the legacy of imperialism. In her exhibition Mounting Spirits, Resisting Empire, she highlights marginalized communities, using materials such as Chiquita banana stickers to confront exploitation in the banana industry. St. Hilaire invites audiences to engage with the often-erased complexities of Latin American identity, fostering deeper reflections on cultural memory and resilience while encouraging emotional connections that resonate across diverse experiences.
PAT STEIR
In Time Changes, But the Meaning Stays the Same, Pat Steir reflects on a lifetime dedicated to art, tracing her journey from a four-year-old with a singular dream to becoming a defining figure in the New York art scene. In conversation with Mickalene Thomas and moderated by Jasmine Wahi, Steir discusses the evolution of her creative process, the challenges of navigating gender dynamics, and the profound influence of mentorship and self-advocacy on her career. Despite the shifts in the art world and her personal experiences, Steir’s commitment to making great art has remained unwavering, driven by her mastery of color theory, expression, and personal growth.
CHARLES
GAINES
Charles Gaines' work redefines historical narratives through a lens of decolonization, merging art with a critical examination of African enslavement and colonialism in America. His installation Moving Chains serves as a poignant reminder of these foundational issues, utilizing disparate materials and forms to create an immersive experience that encourages viewers to forge their own connections. By revisiting the Theater of Refusal exhibition, Gaines highlights the evolution of perceptions surrounding Black artists, shifting from marginalization to a focus on decoloniality. His intricate layering of historical and contemporary themes invites audiences to reflect on the complexities of identity, power dynamics, and the ongoing reckoning with colonial legacies. Through his innovative approach, Gaines not only expands the discourse on art and history but also fosters a deeper understanding of our collective past, urging us to confront the truths that continue to shape our present.
EBONY HAYNES &
CAULEEN SMITH
Ebony L. Haynes’ vision for 52 Walker represents a radical reimagining of the contemporary art space, one rooted in community, collaboration, and accessibility. Since its inception in 2021, 52 Walker has fostered an inclusive atmosphere where Black art professionals can thrive and explore their creativity. Haynes’ commitment to detail is evident in the gallery’s design, which encourages visitors to linger and connect. Each exhibition at 52 Walker serves not only as a showcase but also as an educational platform, complete with reading lists and an in-house library that deepens the dialogue around the work. With a focus on extending the life of each show, Haynes promotes meaningful conversations and reflections on art, creating an environment where both artists and audiences feel valued and seen. Through this “come-as-you-are” ethos, 52 Walker emerges as a dynamic, evolving space that champions underrepresented voices and fosters a shared sense of belonging.
DAVID MICHALEK &
WENDY WHELAN
David Michalek’s SlowDancing / NYCB installation for the New York City Ballet’s 75th anniversary offers a mesmerizing tribute to dance, capturing iconic moments with crystalline clarity. Projected within the grand Promenade of the David H. Koch Theatre, the ultra-slow-motion portraits of twenty dancers transform their movements into ethereal experiences, inviting audiences to witness the sacredness and intimacy of ballet. Born from Michalek's desire to create a unique portrait of his wife, principal dancer Wendy Whelan, the project blends advanced technology with emotional resonance, allowing viewers to engage deeply with the dancers’ micro-expressions. By presenting the work as triptychs, Michalek creates a narrative that emphasizes the complexities of the body in motion, fostering a communal atmosphere that transforms public spaces into intimate viewing experiences. Ultimately, his work serves as a catalyst for transformation, inviting audiences to slow down and connect with the beauty of dance and the profound potential for shared creativity.
GLENN
KAINO
Glenn Kaino’s work merges art and activism to explore social justice and collective hope, drawing from a rich array of influences, including politics and magic. A graduate of UC San Diego’s MFA program, Kaino’s diverse practice encompasses sculpture, installation, and performance, as seen in exhibitions like Walking with a Tiger and Breath(e). His use of bunka shishu in embroideries like Where You From challenges traditional notions of identity, blending personal and cultural histories. Through collaborations that emphasize trust and shared purpose, Kaino urges viewers to engage with the politics of place, ultimately serving as a powerful call for empathy and peace in a complex world.
DESERT
X
Susan Davis's Desert X redefines the relationship between land art and audience engagement, creating a unique dialogue within the Coachella Valley and beyond. Founded in 2015, Desert X commissions large-scale installations that transform the desert landscape into an adventurous treasure hunt, inviting exploration and interaction. Notable works, such as Doug Aitken’s Mirage, challenge perceptions of space and environment, merging art with the natural world. Davis's vision emphasizes collaboration and education, exemplified by initiatives like the Desert X Art Club, which empowers young creators to express their voices. Through these efforts, Davis fosters a deeper connection to cultural narratives and the land itself, making art a catalyst for community engagement and environmental appreciation.