The OG Edition 9
In Edition 9, we double down on our commitment to creatives, culture, and community. We’re most interested in the intersections that bind these three pillars together, how creativity begets community, how community creates culture, and how culture becomes fertile ground for further creative output, whether it be Genevieve Gaignard’s series that unsettle gender and race tropes with the lethal playfulness of a cat batting around a mouse, or College Track Crenshaw’s unstintingly unsentimental commitment to vitalizing students before, through, and after college. Edition 9 relishes the endlessly diverse, un-pin-down-able flourishings of aesthetic vitality, from the edgy nostalgia of Jason Thomes’s Yeah, I Work Out movement to Sanford Biggers’s Buddhist-level cool. Join us to celebrate community: the people that make it and the art that consolidates the fact of being here, together.
In Edition 9, we double down on our commitment to creatives, culture, and community. We’re most interested in the intersections that bind these three pillars together, how creativity begets community, how community creates culture, and how culture becomes fertile ground for further creative output, whether it be Genevieve Gaignard’s series that unsettle gender and race tropes with the lethal playfulness of a cat batting around a mouse, or College Track Crenshaw’s unstintingly unsentimental commitment to vitalizing students before, through, and after college. Edition 9 relishes the endlessly diverse, un-pin-down-able flourishings of aesthetic vitality, from the edgy nostalgia of Jason Thomes’s Yeah, I Work Out movement to Sanford Biggers’s Buddhist-level cool. Join us to celebrate community: the people that make it and the art that consolidates the fact of being here, together.
In Edition 9, we double down on our commitment to creatives, culture, and community. We’re most interested in the intersections that bind these three pillars together, how creativity begets community, how community creates culture, and how culture becomes fertile ground for further creative output, whether it be Genevieve Gaignard’s series that unsettle gender and race tropes with the lethal playfulness of a cat batting around a mouse, or College Track Crenshaw’s unstintingly unsentimental commitment to vitalizing students before, through, and after college. Edition 9 relishes the endlessly diverse, un-pin-down-able flourishings of aesthetic vitality, from the edgy nostalgia of Jason Thomes’s Yeah, I Work Out movement to Sanford Biggers’s Buddhist-level cool. Join us to celebrate community: the people that make it and the art that consolidates the fact of being here, together.